Private sponsorship of the arts
Recommendation 1018
(1985)
- Author(s):
- Parliamentary Assembly
- Origin
- Assembly
debate on 28 September 1985 (14th Sitting) (see Doc. 5465, report of the Committee on Culture and Education). Text adopted by the Assembly on
28 September 1985 (14th Sitting).
- Thesaurus
The Assembly,
1. Having regard for the successful contributions already
made by the Council of Europe in promoting the value of the arts
;
2. Believing that the arts are an integral part of civilised
life, and that a civilised nation must support the arts as a duty
to both present and future generations ;
3. Noting the changing patterns of financial support for the
arts in some countries involving both the public and private sectors
;
4. Believing that the arts may be enhanced through private subsidy
from corporate (and individual) sources which engenders a mutually
advantageous liaison between business and the arts for the ultimate
good of the whole community ;
5. Welcoming the recognition shown by the Council for Cultural
Co-operation of the importance of the commercial factor in cultural
policies, and in particular its activities relating to the culture
industries and its two research workshops on the funding of culture
(Munich 1983 and Rüschlikon 1985) ;
6. Wishing to facilitate and encourage commercial sponsorship
both alongside public funding and independent of it ;
7. Recognising the role of cultural aims in the economic and
social development of the member states, drawing attention to the
economic importance of the arts reflected in terms of employment
and revenue, and inviting its Committee on Economic Affairs and
Development to study the relationship between culture and the economy
more closely,
8. Recommends that the Committee of Ministers :
a establish, on the European level
and with reference to the continuing work of the Council for Cultural
Co-operation, an informal framework for collaboration and the regular
exchange of information between decision-makers in the field of
government policy, of the culture industries and of commercial sponsorship
relating to the arts ;
b examine, on the basis of this framework, the feasibility
of drawing up guidelines or a code of practice for private sponsorship
of the arts, having regard to such factors as :
i integrity for individual artistic creativity ;
ii the principle of plurality of funding ;
iii presentation of the sponsor's identity ;
iv continuity ;
v the enhancement of quality, creativity and variety in
the field of the arts ;
c consider ways in which the Council of Europe might itself
directly encourage sponsorship on the European level ;
d initiate statistics relating to the funding of the arts
on national and European levels, and to the direct and indirect
economic importance of the arts ;
e invite the governments of member states, while maintaining
public financial support for the arts :
i to give greater recognition in the formulation of cultural
policies to the direct and also indirect economic importance of
the arts ;
ii to give greater encouragement to private sponsorship of
the arts through fiscal and other incentives, and inform the Council
of Europe of such measures that exist or may be introduced to this
end.